
Left:Curtis Mann, Loudspeaker (Beirut),
2007 acrylic varnish on bleached c-print, 23 x 28"
Right:
Jowhara AlSaud, Halos, C41 print mounted on aluminum, 30 x 40"
Jowhara
AlSaud & Curtis Mann:
Altered
States
March 13 - April 14, 2009
For
Immediate Release
Howard Yezerski Gallery is pleased to announce Jowhara AlSaud
and Curtis Mann in their first exhibition at the gallery. Altered
States will be on view from March 13th - April 14th. Both AlSaud
and Mann use photographs as a starting point in their work. They
each use a new visual language as they scratch, bleach, and alter
the images to create scenes of isolated beauty. Whether it’s
a social scene that you might experience with friends or a vague
hint of a place you might have seen featured in the nightly news
both artists show how suggestive photography can be. AlSaud and
Mann push the limits of traditional photography as they alter
the physical elements of the photographs, the paper and the film.
Each shows just how malleable a medium photography can be even
before the readily available aide of today's digital manipulations.
Growing up in a society where figurative work is still considered
by many to be sinful; AlSaud, who was born in Saudi Arabia, began
this series of photographs as a comment on the censorship in Saudi
Arabia and it's effects on visual communication. Copying the language
of the censors Alsaud makes line drawings from her personal photographs,
omitting faces and providing only the essentials in the details,
so that the figures become anonymous. These drawings are then
etched back into film and printed in an analog darkroom. These
minimal narratives become powerful in their simplified statements.
Starting with appropriated images from online websites like Flicker
, Mann refashions images that are taken in areas going through
deep conflict like Israel/ Palestine, Lebanon, and Iraq. He bleaches
away information, not giving too many details of specific locations
and events in any one scene. The details that are left behind
create an entirely new landscape. Eroded buildings, piles of rubble,
speakers tethered to people, all become an otherworldly landscape,
where the accentuated details that are left behind hint at their
potential significance and open them up to new interpretations.
For further information please contact Howard Yezerski Gallery
617.262.0550 Tuesday - Saturday 10-5:30pm